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Firmin

Book Review
Firmin by Sam Savage, illustrated by Michael Mikolowski, paperback, 162 pages, Coffee House Press, list price: $14.95
Firmin, the title character of Sam Savage's novel, is a real rat. I mean a real rat — the sort with four legs, a long tail and presumably a pinkish nose (the color isn't certain since the illustrations are in black and white). What sets Firmin apart from others of his clan is that Firmin is a reader. He devours books — both figuratively and literally.

Born in the basement of a book shop in Boston's Scollay Square in the 1960s, Firmin (the runt of the litter) discovers his passion early on when he is nourished not by his mother's milk (too many siblings jostling about ahead of him), but by the books he both gnaws on and reads. Beginning with a diet of Moby Dick and Don Quixote, Firmin naturally worries about finding his Destiny. A quick look in the mirror tells him that he'll never be as dapper and debonair as his hero Fred Astaire, and he'll never search for an elusive white whale or tilt at windmills. But surely, he thinks, there's something more to life than scrounging for food in a dilapidated movie theater:

Could it be that I, despite my unlikely appearance, have a Destiny? And by that I meant the sort of thing people have in stories, where the events of a life, no matter how they churn and swirl, are swirled and churned in the end into a kind of pattern … Lives in stories have direction and meaning. Even stupid and meaningless lives, like Lenny's in Of Mice and Men, acquire through their place in a story at least the dignity and meaning of being Stupid Meaningless Lives, the consolation of being exemplars of something. In real life you do not get even that. ...
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This darkly comic homage to the power of imagination, the lure of books and the desire to live a life that means something speaks to all of us. And you'll never think about rats the same way.

Previously

Previously by Allan Ahlberg, illustrated by Bruce Ingman, hardcover, 32 pages, Candlewick Press, list price: $16.99

Allan Ahlberg's whimsical take on the world comes through clearly in all of his books for young children, but perhaps never more so than in Previously, where he teams up with artist Bruce Ingman to produce a charming concatenation of some familiar fairy tales. Beginning with Goldilocks arriving home after her adventure with the three bears, author and illustrator tell her story backward, so to speak, by describing what she had been doing "previously." The final "previously" has her walking in the woods, before coming upon the house of the three bears, where she bumped into Jack (of climbing the beanstalk fame).

As his story progresses backward, it turns out that he's the same Jack who tumbled down the hill with his sister Jill, and that the two of them had encountered the Frog Prince, who (before he was turned into a frog) had fallen in love with "a disappearing girl named … Cinderella," who had collided with the Gingerbread Man and his retinue, and so on and so on, until the very satisfying conclusion.

Reading this book aloud to 4- to 8-year-old children is a delight. Not only will they take great pleasure in repeating "previously" with you each time it appears (nearly 30 times) in the text, but they'll appreciate Ahlberg's word pictures — The Frog, "sitting on the window sill/with a sorrowful look in his eye/and a crown on his head"; or Goldilocks, who "had been humming a tune/and having a little skip by herself in the dark woods." Beginning with the deliberately childlike pencil drawings on the endpapers, Ingram's pictures offer a colorful and clever complement for Ahlberg's quirky text. Just take a look at the picture of the poor Frog Prince watching Jack and Jill arguing at the breakfast table, and you'll see what I mean.